History Essay 代写:历史画家
Keywords:History Essay 代写
这幅画的奥斯特里茨战役组成（见图9.17），虽然比较广泛和平衡的，但复杂的GéRAPD显示他的极限作为历史画家。这幅画的主题是一瞬间的庄严的胜利对奥斯特利茨然而俄奥联军，它不显示战斗，而是当胜利的消息给拿破仑。你可以看到Napoleon Bonaparte对绘画的权利。拿破仑戴两角帽，安详而骄傲地坐在他的白色高大的骏马。还必须注意Napoleon Bonaparte高于其余的大会，也许像一个奥林匹亚Greek /罗马遗产。拉普将军从法国陆军提出拿破仑波拿巴是从敌人的标准，俄罗斯帝国卫队。背景中的标准，画的左边是由marmalukes曾与Napoleon Bonaparte的法国军队进行。拉普将军右臂伸开提出这些标准，Napoleon Bonaparte。人们可以争论。Napoleon Bonaparte和他的马有一石，没有任何的表达。因此，也许一个准神，人类无法情感。 那些吸引眼球的是Napoleon Bonaparte的冷漠和不关心是谁都毫发无损，拿破仑的马也可以包含在这个描述虽然是野生的眼睛，扒在其右蹄地面而。这幅画的色调在前景中相当暗，在画中的背景中的士兵中。可以说，这给了Napoleon和他的马一个戏剧性的外观。此外，在马背上都积累了对其他士兵正在密切关注波拿巴和拉普，他们的目光聚焦在两个主要人物。法国军队似乎相对平静有序，而画中的中心空间则以一种戏剧性的戏剧感明亮，这有助于捕捉观众/观众对这幅画的思想感情。一个可以或许承担的人物安排在画提供了一个戏剧性和英雄主义对双方的竞选。
History Essay 代写:历史画家
However, the composition of the painting The Battle of Austerlitz (Plate 9.17), although rather broad and balanced, is nonetheless complicated with Gérard showing his limits as a history painter. The subject of the painting is a moment of solemn victory against the Russian and Austrian armies in Austerlitz however, it does not show the heat of battle, but rather the moment when news of the victory was brought to Napoleon. One can see Napoleon Bonaparte to the right of the painting. Napoleon is wearing his bicorn hat,serenely and rather proudly sitting upon his white statuesque steed. One must also note too that Napoleon Bonaparte is raised above the rest of the assembly perhaps like an Olympian of Greek/Roman heritage. General Rapp from the French Army is presenting Napoleon Bonaparte with the standards which were taken from the enemy, the Russian Imperial Guard. The standards in the background to the left of the painting are carried by the Marmalukes who fought with Napoleon Bonaparte’s French army. General Rapp has his right arm outstretched presenting these standards to Napoleon Bonaparte. One can argue. Both Napoleon Bonaparte and his horse are as one - stony and without any kind of expression. Thus perhaps a quasi-divine being , beyondhuman emotion.
Ones eye is drawn to the aloofness of Napoleon Bonaparte who is both unscathed and without care Napoleon’s horse can also be included in this description although it is rather wild eyed and pawing at the ground with its right hoof. The colour tones of this painting are rather dark in the foreground and among the soldiers in the background to the right of the painting. One could say this gave Napoleon and his horse a theatrical appearance. In addition, the other soldiers on horseback who are amassed on the right are paying close attention to Napoleon Bonaparte and General Rapp, their eyes focused on the two main characters. The French army seem relatively calm and orderly, whereas, the central space within the painting is bright in a dramatically theatrical sense, which helps capture the audience/viewers thoughts and feelings on this painting. One can perhaps assume the arrangement of the characters within the painting offer a sense of dramatics and heroism on both sides of the campaign.
